Gear Talk
In this post I answer a couple of questions about choosing a horn.
Q: What is the difference between student and pro model horns?
A: The differences between student and pro horns are subtle but significant: complexity of tone, secure slotting of notes, more refined intonation. Improved design and manufacturing capabilities means that most instruments produced today by a reputable company are eminently playable, so for a player just starting out, a good student horn will do fine for quite a while. A Yamaha student trumpet, for example, shares many of the characteristics of the pro horn, thanks to the design philosophy of vertical integration.
Intermediate models exist, but at that point I recommend taking another step up the ladder. A used pro horn is an excellent option if you don’t mind sacrificing a bit of shine. Brass instruments can actually improve over time, particularly in the hands of a good player.
Q: How do you assess a new horn? Does the playing style have a lot of bearing on your choice? (Lead, jazz, classical etc.)
A: Aside from smooth mechanical action, two things I look for when trying out a new horn are clarity of sound and evenness of scale, e.g. whether each note sounds and feels like the notes next to it. The application doesn’t play much of a role in my choice. I play two main trumpets currently. One was designed for a classical player and the other was designed for a lead player. I’ll happily use either horn in any situation.
Q: Do you change horns often? Is there an adjustment period when you get a new horn?
A: I like changing horns from time to time, as it causes me to reassess and adjust the way I play. Every horn is unique, particularly in tone quality and in the placement of notes. When trying out a new horn I’m likely to miss notes (even more than usual) as I search for the center slot of each pitch, where the note feels secure and the sound is resonant. I have to learn to work with the horn, rather than fight it.